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Designed by Lievore Altherr Molina
Curved glass and metal profile are joined together to create a single form, able to create different chromatic combinations and types of furniture: from the coffee table to the console. An idea that can satisfy different needs with a unique style.
Finishes:
Structure in metal in chrome, lacquered mocha or burnished brass, top in glass in clear or tinted smoke, lacquered or frosted lacquered in a selection of colours
Dimensions:
W450 x D330 x H460 mm W550 x D400 x H520 mm
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Sila is a chair project from which a lot of different versions take form, starting from simple shapes and natural materials.
Different geometric shapes and various combinations of materials, create infinite uses and setting possibilities. A simple concept from which arises a complete collection of tables and accessories for the most varied environments and situations.
A lacquered metal base meets a top in glass, wood, ceramic or Materia, to give life to a tables collection with a distinctive personality and versatility in the setting, from home to contract spaces.
Lievore Altherr Molina, the Barcelona-based design firm typically designs harmonious and balanced items as well as intense shapes balanced in a peaceful tension. For Driade they have designed Verlaine, a sofa complete with a pouf sporting an exceptionally expressive versatility that reminds of organic and flowing shapes. Its fascinating silhouette is an irresistible attraction inviting […]
Naoto fukasawa develops a big pouf precisely by a small stone. A naturalistic form first tamed then alienated with the use of innatural colors.
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.
Case by Sebastian Herkner is a collection of highback sofas that breathe a sense of calmness, concentration and comfort into everyday life in the workplace and in hospitality contexts. Though having a grand form, Herkner?s simple and slender line leaves the Case with a stringent and light expression without compromising on the comfort and function […]
Laudani & Romanelli choose to rediscover the discretion of volumetric restraint. The armchair thus becomes an easy chair and a place of the individual, passepartout to forgotten customs: easy chairs around tables, in bedrooms or in vestibules.