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Designed by Gianluigi Landoni
Finishes:
Structure in steel with ceramic polished or matt finish, optional LED light 3000K
Dimensions:
W1000 x D310 x H70 mm W1500 x D310 x H70 mm W2000 x D310 x H70 mm W2000 x D490 x H880 mm W2500 x D490 x H880 mm
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The new Traled lamps collection is the result of a shapes reduction to obtain a minimal but refined assembly. Two ceramic, mirror or frosted mirror sides, finished in the details, which create a luminous aura. The brass finishes embellish the collection creating a versatile light for elegant interiors and contract spaces.
Elegant and light like the namesake glass, this table expresses different personalities according to the chosen materials and colour combinations: from the top in lacquered glass, Materia, wood, ceramic or hpl, to the base in lacquered or polished chrome metal.
Segment is a wall mirror with engraved segments of great visual impact. Available in various sizes in the square, rectangular or round shape, also with a led lighting on the back that catches the eye to the segment decoration.
This original and versatile series of coffee and side tables is available in different shapes, sizes, materials for the top and in different finishes for the metal base. Ideal as lamp/ coffee table, it perfectly matches with any kind of seat, thanks to its lively personality.
Aikido is a dining table of essential design which becomes protagonist of daily life and of any space thanks to its warm and prestigious materials. The single base matches with the round, oval or square top while the double base completed by the rectangular or shaped top is the ideal solution for big home spaces […]
Orbit coffee table and desk are part of Cosmic: Toogood?s collaborative collection with Tacchini. Cosmic is full of irregular, elliptical shapes. Orbit features curving wooden legs upholstered in hide, topped with smooth wooden pebble shapes. The desk and table tops are lacquered, with a rounded hide inlay. The concentric ovals of Orbit are not uniform, […]
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.