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Designed by Gianluigi Landoni
Elegant and light like the namesake glass, this table expresses different personalities according to the chosen materials and colour combinations: from the top in lacquered glass, Materia, wood, ceramic or hpl, to the base in lacquered or polished chrome metal.
Finishes:
Structure in metal lacquered embossed white, clay, mocha or black, top in glass in a selection of lacquered or frosted lacquered, textured net, textured materia or in ceramic polished or matt finish or in oak or walnut veneer
Dimensions:
DIA1000 x H750 mm DIA1200 x H750 mm DIA1300 x H750 mm DIA1400 x H750 mm DIA1500 x H750 mm
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The table has been inspired by the dynamism of a moving element, like the ribbon of a gymnast that vaults in the air drawing natural and soft shapes. Its original look furnishes the living area with a touch of essential harmony.
The new shapes and sizes of the Visual mirrors create original reflections thanks to different shades and to their modularity. They furnish private and public spaces with a refined simplicity making possible the creation of large compositions.
The new Traled lamps collection is the result of a shapes reduction to obtain a minimal but refined assembly. Two ceramic, mirror or frosted mirror sides, finished in the details, which create a luminous aura. The brass finishes embellish the collection creating a versatile light for elegant interiors and contract spaces.
Versatile and ergonomic in the shape and characterized by a refined simplicity, the Pura chair is available with different coverings, to play different roles in the home and contract space.
Rama is the outcome of the meticulous details of the designers and the technology used by Kristalia from the outset: a return to wood processing, typical of the area where Kristalia is based. The chair features clear-cut lines that are also warm and attractive, perfectly matching the style of Kristalia.
Versatile, comfortable and friendly, this chair is realized with curved wood structure. It can be with or without armrests, and has a multi-layer body covered in leather, fabric or velvet. The version without armrests is stackable up to 4 chairs.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.