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Designed by Studio Sovet
Two industrial-inspired elements that merge in a composition that reminds a railway crossing. This is the basic design idea of Cross, a table that represents a meeting point between the concepts of stability and dynamism, strength and harmony, thought and material.
Finishes:
Structure in metal lacquered embossed white, clay, mocha, black or burnished brass,top in glass in clear or in a selection of glass tinted, lacquered or frosted lacquered, textured net or in ceramic polished or matt finish or in oak veneer
Dimensions:
Rectangular: W2400 x D1200 x H740 mm W2500 x D1000 x H740 mm Elliptical: W2500 x D1200 x H740 mm
$3,900.00
The richness of personality and the possibility of customization of the Totem collection finds wide expression in its outdoor version used in residential exteriors, lounges and restaurant bars. The small table version in two heights completes the area for relaxing in the outdoor space.
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Bridge is a line of tables, coffee tables, consoles and desks that introduces the charm of glass into different environments: living room, bedroom, domestic office and contract.
Available in more than 200 combinations, Kodo has been designed to reach large dimensions while maintaining an exceptional structural lightness.
A seating with an enveloping and comfortable shape that matches with elegance and simplicity the tables of Sovet’s collection. The Cadira chair wide selection of finishes complete the different types of structure making it adapt for any kind of public or private space.
Pureness and minimalism are the keys to understanding a product which combines simplicity and functionality. Entirely realized in glass it can be a magazine holder and a practical side table.
Obtained form the ancient wax casting technique, Miss Lacy represents and makes accessible a baroque lace by transforming it into an embracing shell. Characterized by the expertly pierced shiny mirrored stainless steel. A true jewel than to a functional object.
$1,040.00
A symbol in the history of design, spaghetti is the first Alias chair to appear in the MoMA collection of New York. The Spaghetti chair is an excellent example of material and formal simplicity that multiplies, in its many variants, the opportunities for use.
Metal chair with structure in steel squared tube and upholstered seat. It featurea a soft cap which covers the back and is customizable both in colour and embroidery, hence the name HAT.