Visit us in store for a wider selection of items not found online.
Designed by Studio Sovet
A seating with an enveloping and comfortable shape that matches with elegance and simplicity the tables of Sovet’s collection. The Cadira chair wide selection of finishes complete the different types of structure making it adapt for any kind of public or private space.
Finishes:
Legs in metal lacquered white, clay, mocha, black or burnished brass, upholstery in a selection of fabrics or leather
Dimensions:
W510 x D570 x H810 mm SH460 mm
0
Bridge is a line of tables, coffee tables, consoles and desks that introduces the charm of glass into different environments: living room, bedroom, domestic office and contract.
Boston is a wall mirror that reflects an indepth search for simplicity and beauty. The lacquer finish of the frame, available in various colours, is applied to the back of the glass for an even shinier aspect. Available also in a totally mirrored finish.
Aikido is a dining table of essential design which becomes protagonist of daily life and of any space thanks to its warm and prestigious materials. The single base matches with the round, oval or square top while the double base completed by the rectangular or shaped top is the ideal solution for big home spaces […]
The wind desk breaks from traditional desk. With its wing-shaped legs and aerial, willowy structure, it recalls the motion of a bird flying in the sky, carried by the wind. The piece pairs together the oriental philosophy of life and the essence of nature, representing a harmonious integration of form and function.
The table has been inspired by the dynamism of a moving element, like the ribbon of a gymnast that vaults in the air drawing natural and soft shapes. Its original look furnishes the living area with a touch of essential harmony.
A table that plays on an apparent imbalance, supporting a strongly materic top, especially in the version, by a sequence of three structures placed in a totally unpredictable way. Built as parallelepipeds and fixed either perpendicularly or parallel to the surface, the three base frames are configured rather like a “vacuum†that seems to let […]