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Designed by Studio Sovet
Bridge is a line of tables, coffee tables, consoles and desks that introduces the charm of glass into different environments: living room, bedroom, domestic office and contract.
Finishes:
Structure in glass in clear or tinted smoke or lacquered or 2 tone lacquered in a selection of colours, drawer unit in wood in oak veneer lacquered white or stained black or in walnut
Dimensions:
W1250 x D410 x H740 mm W1250 x D410 x H860 mm
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Horizon mirror is bordered by an aluminium frame characterized by a thin moulding at the edge. The reflective surface is also available with a frosted finish that draws an horizon line, playing with light and proportions. The different available sizes and the wall swivel fixing allow to create different situations and compositions.
Boston is a wall mirror that reflects an indepth search for simplicity and beauty. The lacquer finish of the frame, available in various colours, is applied to the back of the glass for an even shinier aspect. Available also in a totally mirrored finish.
A seating with an enveloping and comfortable shape that matches with elegance and simplicity the tables of Sovet’s collection. The Cadira chair wide selection of finishes complete the different types of structure making it adapt for any kind of public or private space.
Different geometric shapes and various combinations of materials, create infinite uses and setting possibilities. A simple concept from which arises a complete collection of tables and accessories for the most varied environments and situations.
Stone slab is imbedded in the wooden top of PLEGAT dining table. Composite wooden columns stand on paralleled metal frames, showing elegance and contrast between different materials. It is a classic work of craftsmanship and details.
Combi makes the spaces abstract like in a painting thanks to the various reflections and the different mirror shades. The aluminium structure separates but also accompanies harmoniously the different parts like in a mosaic. The reflection is the element that gives significance to the space.
Very lucidly, Enzo Mari decided to realize this tables collection with transparent crystal tops in order to valorise the harsh simplicity of steel sections bases. Designed in 1973 for Driade, uninterruptedly producted since then, these pieces can be certainly numbered among the most successful of the Milan master.