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Designed by Idelfonso Colombo
Uccio is a rigorous and essential aluminum stool, like a sculpture it becomes a functional object for daily use.
Variation
$1,260.00
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Gossip is an armchair with metal structure covered in removable elastic fabric. Minimal, with clean lines of strong impact. Gossip is a curious object, playful at first view, but at the same time, the result of advanced technology and careful study of the details
$4,440.00
Tokyo is a console and also a bench. Metal structure and shelves in expanded metal painted matt gold, top and sides in black Valcromat. Practical element, equipped with usable support surfaces hung under the top, minimal and rigorous.
$2,240.00
Dase is a corner metal coffee table with lamp and tray. With an elegant and light design, very functional close to sofas or armchairs. A single object solves three functions: table top and, thanks to two of the legs that extend compared to the others, tray and lamp.
Ordinaryday is a chest of drawers in solid fir wood with a black structure. Ordinaryday is created with nothing but pure solid fir wood, it wants to recreate a pile of wood on a normal ‘ordinaryday’ day in a carpentry shop. With a strong and recognizable character, it becomes the protagonist.
Thanks to its slender metal structure and adjustable elements with sound-absorbing properties, it captures the attention and adorn the atmosphere of the house with a strong personality.
$860.00
At first glance, Lato resembles a sculpture, with its slim, oval or round table top balanced by an oval-shaped base. Striking, graphic and poetic, its purity of form is proof that simple is sophisticated. With Lato, Nichetto wanted to keep the simplicity and streamline into a timeless side table in a style that could easily […]
$820.00
The German word for Òhold, stay and lastÓ, Halten is designed to be a cherished companion for everyday life. In a home or hospitality setting, you can easily take it with you to pair with an armchair, sofa or pouf. The design reflects HerknerÕs impeccable eye for detail and proportion, his affinity for form, and […]