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Lazada
Designed by Simon Pengelly
Unnia is a versatile and extensive collection of chairs with a unique mix and match concept of colours and finishes. The chair design allows the combination of different finishes and colours for the seats, backrests and frames. This means that endless combinations can be made. In addition, the collection offers chairs with a range of bases and frames that increase possibilities for customisation and allow a broad spectrum of use in all kinds of spaces, settings and decorative styles. The result is essentially a collection of highly customisable chairs.
Finishes:
Swivel, base in metal lacquered or in chrome, seat and back in polypropylene, optional seat upholstery in a selection of fabrics or leather
Dimensions:
W660 x D660 x H805 mm SH460 mm
Note:
Minimum order of 6 pcs
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Unnia is a versatile and extensive collection of chairs with a unique mix and match concept of colours and finishes. The chair design allows the combination of different finishes and colours for the seats, backrests and frames. This means that endless combinations can be made. In addition, the collection offers chairs with a range of […]
The Altea collection from Inclass by synonymous designer, Jorge Pensi, in the fields of contract seating, consists of comfortable chairs, with two backrest heights, that can be combined with different bases and structures to allow a broad range of use. Its formal identity stands out for its smooth embracing curves and pure lines, away from […]
$1,050
Boasting a shell crafted from recycled plastic, Rely is a chair with environmentally-friendly credentials. Designed by Hee Welling, its simple appearance and ergonomic design embodies his signature fusion of minimalism and practicality. The shell is available in a range of contemporary colours, while made-to-order upholstery for the shell is available in a variety of fabrics. […]
The Film chair strikes an interesting silhouette between minimalistic and surprising. It features straight lines, emphasizing geometric structure and symmetry, creating an orderly and harmonious visual effect and presenting a sharp and clear aesthetic. The seat is lightly padded, creating a combination of suppleness and strength.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.