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Lazada
Designed by Christophe Pillet
The Dunas xs seating sellection arises from the pursuit of a transversal design that can take its place amongst the most diverse spaces and styles. Refinement, neutrality, formal clarity and essential elegance are the marks of identity of this versatile collection of chairs and armchairs designed by Christophe Pillet.
Finishes:
Legs in solid oak in natural or stained, upholstery in a selection of fabrics or leather
Dimensions:
W606 x D581 x H809 mm
Note:
Minimum order of 6 pcs
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A diamond changes into a seat: faceted from a thousand veins that reflect light, Meridiana transforms the lines of construction and power in lines of poetry. Suspended in its thin metal structure, it shines in its transparency or its sophisticated nuances.
Compact and snug, the Mayfair’s collection has a dual appearance: totally straight from the outside, like a single curved leaf, and pleasantly soft on the inside, like a den or nest. The organic lines are emphasised by the visible stitching.
As a crib, the Summerset chair pampers you in your living room or in your garden. Available with two cushions options: either two small quilted pillows, one for sitting, one for the back, or one removable bi-colour cushion. A seat that allows the body’s total rest during outdoor relaxing moments.
Huma chair is a project trying to preserve the classic philosophy of rattan production process while engaging in a research for greater comfort through the use of flexible ribs in its shell-shaped backrest and its upholstered seat.
The Dunas collection from Inclass designed by Christophe Pillet portrays the essence of armchairs for waiting areas or lounges. Its design with smooth lines, sleek and stylish, along with its enveloping and comfortable forms, allows the creation of serene, cosy and modern spaces where one can relax, rest or carry out informal meetings.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.