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Lazada
Designed by Christophe Pillet
The Dunas xs seating sellection arises from the pursuit of a transversal design that can take its place amongst the most diverse spaces and styles. Refinement, neutrality, formal clarity and essential elegance are the marks of identity of this versatile collection of chairs and armchairs designed by Christophe Pillet.
Finishes:
Legs in solid oak in natural or stained, upholstery in a selection of fabrics or leather
Dimensions:
W606 x D581 x H809 mm
Note:
Minimum order of 6 pcs
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Summer Set is proof that a simple chair can become something fun for decorating rooms, houses and public places.
Stool in steel grille ideal to accompany high tables with drinks or evenings with friends in outdoors or indoors taverns.
Rocking lounge armchair with teak base and powder-coated steel frame with C5M protective treatment, which makes it suitable for marine and pool areas. Available with two cushions options: either two small quilted pillows, one for sitting, one for the back, or one removable bi-colour cushion. A seat that allows the body’s total rest during outdoor […]
A diamond changes into a seat: faceted from a thousand veins that reflect light, Meridiana transforms the lines of construction and power in lines of poetry. Suspended in its thin metal structure, it shines in its transparency or its sophisticated nuances.
Born out of the fascination by those big rattan or cane armchair so common in South East Asia, Patricia Urquiola creates her own sophisticated rendition.Volumes expand, braids are doubled, patterns appear unexpectedly and gracefully fragmented. The Pavo collection introduces a strong exotic connotation.
Tables, for a designer, are somehow suspended between architecture and sculpture. Littman visualize this suspension in Lybra project, by emphasizing the steel supporting beam, making it evident through the top transparency and giving it the value of a craftwork.
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.