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Lazada
Designed by Christophe Pillet
The Dunas collection from Inclass designed by Christophe Pillet portrays the essence of armchairs for waiting areas or lounges. Its design with smooth lines, sleek and stylish, along with its enveloping and comfortable forms, allows the creation of serene, cosy and modern spaces where one can relax, rest or carry out informal meetings.
Finishes:
Swivel, base in solid oak in natural or stained, upholstery in a selection of fabrics or leather
Dimensions:
W920 x D730 x H750 mm
Note:
Minimum order of 6 pcs
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Brew a coffee, sit back and let your imagination take you to the delights of a Parisian Boulevard café with the TNP from Kristalia. Introduce cool French design to your home with this classic outdoors iron coffee table. Originally produced for the Theatre National Populaire, the TNP bears the embossed logo of one of France’s […]
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The Dunas xs seating sellection arises from the pursuit of a transversal design that can take its place amongst the most diverse spaces and styles. Refinement, neutrality, formal clarity and essential elegance are the marks of identity of this versatile collection of chairs and armchairs designed by Christophe Pillet.
A diamond changes into a seat: faceted from a thousand veins that reflect light, Meridiana transforms the lines of construction and power in lines of poetry. Suspended in its thin metal structure, it shines in its transparency or its sophisticated nuances.
Camouflage is an outdoor collection that includes a high and low armchair, a table and small table, all made of aluminium. in these sculptured elements the geometrical design of the structure frames the elaborated fretworked decoration.
Successful completion to the generous shapes of the famous Lord Yo armchair, Lord Yi table is surprising for its simplicity and the clear composition of the parties, deliberately signaled in his tripartite division of base, shaft and top.
Antonia Astori calls ‘memory furniture’ those pieces which tell something about people attention to indoor living. An attention expressed both by the recovery of disappeared archetypes, eg. canopy bed, and in precious materials manufacturing, eg. pleached roped steel headboard.
Laudani & Romanelli choose to rediscover the discretion of volumetric restraint. The armchair thus becomes an easy chair and a place of the individual, passepartout to forgotten customs: easy chairs around tables, in bedrooms or in vestibules.