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Lazada
Designed by Frank Chou
The simplicity, cozy and carefree style of VELD sofa is derived from a harmony of careful details and smooth lines. The sofa offers a fashionable look and relaxing modern experience with its unique details and grand space concept.
Finishes:
Legs in metal painted silk black, upholstery in fabrics or leather
Dimensions:
W1700 x D1050 x H655 mm SH355 mm
$3,950.00
The Knot bed features classic check-inspired patterns, accented by vibrant, intersecting lines that bring a sense of freshness and rhythm to the design. As the bedroom evolves into a space for both intimacy and social interaction, the furniture selection must reflect the individuality and laid-back style of modern youth. The Knot bed’s innovative design, with […]
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The CUBE armchair, with its block-like form and absence of curved lines, embodies the Bauhaus movement’s core principles of simplicity and geometric design. This chair achieves a perfect balance between aesthetics and functionality. Its swivel base enhances practicality, offering smooth rotation, making CUBE an ideal choice for both residential and office environments.
With its dramatic sculptural elements balanced by an overall minimalist, neutral styling, the Bold desk is an eye-catcher. Grouped cylindrical legs support a long, slender tabletop, making for an intriguing and elegant contrast.
$910.00
The Dunas xs seating sellection arises from the pursuit of a transversal design that can take its place amongst the most diverse spaces and styles. Refinement, neutrality, formal clarity and essential elegance are the marks of identity of this versatile collection of chairs and armchairs designed by Christophe Pillet.
This Elephant chair is a visual representation of the evolution of office furniture. More than just an office chair, the stylish and elegant design and cool and comfortable leather or practical plastic lining is reminiscent of a modern armchair, remodelled for the world of work.
Versatile, comfortable and friendly, this chair is realized with curved wood structure. It can be with or without armrests, and has a multi-layer body covered in leather, fabric or velvet. The version without armrests is stackable up to 4 chairs.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.