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Lazada
Designed by Frank Chou
The CUBE armchair, with its block-like form and absence of curved lines, embodies the Bauhaus movement’s core principles of simplicity and geometric design. This chair achieves a perfect balance between aesthetics and functionality. Its swivel base enhances practicality, offering smooth rotation, making CUBE an ideal choice for both residential and office environments.
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Pocky is a dining table with bold and sculptural forms. The pedestal base features a set of pillars that finished in colored lacquer, balance design and craftsmanship and also symbolized a happy reunion.
Comfort and distinctive are the keywords for describing the Root lounge chair. The backrest is outlined with natural and organic curves, and the irregular hollow design flows freely, making Root an iconic piece. The chair feels like a hug thanks to its softness and fluffy back. It is an invitation to relax.
A rational design of the metallic structure, made of extremely clean lines, contrasts with the soft comfort of the padding. Born from the need to have the maximum comfort in a minimum space. Sharp is a timeless small armchair, whose shap allows it to match even in a very small space. The metal frame with […]
Designs renovated from original pieces, which in his day, were part of the Expormim’s catalogue. Furniture that were a great success due to its comfort, robustness and durability. Made of non-skin and tinted rattan with water based dyes
A system consisting of sofas and armchairs in different sizes, with a markedly sleek shape to receive the body nicely. Extra comfort is given by the large lumbar supporting cushion on the ample seat. Elegantly thin are the feet at the base of the frame, adding a touch of dynamism to the coziness.
“MT”, or the initials that calls these pieces designed by Ron Arad, are pronounced in English as “empty”. The void is the key element of this project. The volume, made through a rotational molding, is in fact carved and shows provocatively the inside, finished in different colors. From the typological point of view also worth […]