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Lazada
Designed by Mario Ruiz
If there is something that defines the Kotai table collection, it is precisely its soundness, as its own Japanese name denotes. Made of solid wood, its most distinctive feature is the bevel alongside its four edges and the cleavage dividing it into two identical halves and highlighting the unique possibilities of this noble material.
Finishes:
Structure in solid oak in natural or stained in a selection of colours
Dimensions:
W1800 x D1000 x H750 mm W2000 x D1000 x H750 mm W2200 x D1000 x H750 mm W2400 x D1000 x H750 mm W2600 x D1000 x H750 mm
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Kiri is a set of round accent tables combining rattan with solid wood and lacquer in an aesthetically fluent dialogue. It may be difficult to imagine how such a supple material like the rattan used to shape the base can support the weight of the wooden tops, but the fact is rattan is actually strong. […]
The Huma upholstered chair series takes the form of the rattan version, the open arms create an open invitation to sit, dine, work or relax.
Huma chair is a project trying to preserve the classic philosophy of rattan production process while engaging in a research for greater comfort through the use of flexible ribs in its shell-shaped backrest and its upholstered seat.
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Kabu, curve in Japanese. With this name, I stress the conceptual process of the collection design. The light structure is dressed up with a technical fabric that becomes skin and wrap. The curvature generated as a result of the fabric tension on the structure highlights the desire for a lightweight, upholstered frame.
With its round, enveloping shell, Armadillo is a revision of a furniture classic in rattan: the papasan. But this is a radically free and wonderfully postmodern version. Armadillo has the sympathetic shyness of the animal from which it gets its name and the unmistakable signature of the Valencian studio in its silhouette.
The story of two elements, which rub against each other until they fit together perfectly._ Monica Forster revisits the classic coffee tables with central support by creating a breaking point in the traditionally flat and smooth surface of the wooden top, which almost seems to become a stone mill with the characteristic central hole in […]