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Designed by Gonzalo Mila
Gata originates from a thorough search for balance between the different elements, shapes and diameters of the rattan cane in order to produce a comfortable and resistant seating, as well as an aesthetically harmonic one. Its lines flow smoothly to create a handle at the top of the backrest making its transport easier and bringing to light one of its main virtues: its lightness.
Finishes:
Structure in rattan in natural or stained in a selection of colours, optional seat upholstery in a selection of fabrics or leather
Dimensions:
W490 x D570 x H840 mm SH 470 mm
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Its structure emerges from a game of tangent lines between its four organic frames and of those with the seat, thus securing stability and at the same turning it almost transparent.
$1,940.00
Constanza is the quintessential expression of Miguel Mila?s timeless design language. Created in collaboration with his son Gonzalo Mila, it brings together his two favorite materials: rattan cane and leather.
This project is born from the wish to recover rattan as a fine material and reclaim Spain?s rich craftsmanship tradition. Oscar Tusquets tries to give a new look to an ancient technique replacing the brackets and bonds traditionally used as connecting elements by the twinning of one cane to the next.
$590.00
Icon of Italian design and the result of the brainchild of designers Michele De Lucchi and Giancarlo Fassina, the Tolomeo lamp was launched in 1987. It embodies the perfect balance between functionality and aesthetics. The timeless elegance and impeccable functionality have made it one of the most famous lamps in the world and it has […]
$520.00
A beloved part of the &Tradition collection since 2010, the Flowerpot lamp is an icon of Danish design. Debuted by Verner Panton in 1968, the acclaimed designer produced numerous sketches of Flowerpot Ð yet the wall lamp version never made its way to production. Many years later, &Tradition, in close collaboration with the Panton family, […]
Even a classical image, as a railed chair, in the hands of Philippe Starck acquires a particular connotation. In Pip-e, the sequence of horizontal elements, which create the seat and back definetly, takes on a strong chiaroscuro and goes, unexpectedly, to accompany the bending of the knees.