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Designed by Gonzalo Mila
Gata originates from a thorough search for balance between the different elements, shapes and diameters of the rattan cane in order to produce a comfortable and resistant seating, as well as an aesthetically harmonic one. Its lines flow smoothly to create a handle at the top of the backrest making its transport easier and bringing to light one of its main virtues: its lightness.
Finishes:
Structure in rattan in natural or stained in a selection of colours, optional seat upholstery in a selection of fabrics or leather
Dimensions:
W490 x D570 x H840 mm SH 470 mm
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Its structure emerges from a game of tangent lines between its four organic frames and of those with the seat, thus securing stability and at the same turning it almost transparent.
$1,940.00
Constanza is the quintessential expression of Miguel Mila?s timeless design language. Created in collaboration with his son Gonzalo Mila, it brings together his two favorite materials: rattan cane and leather.
Sila is a chair project from which a lot of different versions take form, starting from simple shapes and natural materials.
Unnia is a versatile and extensive collection of chairs with a unique mix and match concept of colours and finishes. The chair design allows the combination of different finishes and colours for the seats, backrests and frames. This means that endless combinations can be made. In addition, the collection offers chairs with a range of […]
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Boby is much more than a simple container: it is the trolley storage unit that made design history. Functionality and detail are its strong points which, together with an undeniably pop flavour, continue to make it the most popular storage trolley in creativity sectors as well as in the medical, and in the home. Designed […]
in the eclectic identity of Driade, i have always perceived a hint of french culture, just as i have always been fascinated by the interiors of parisian homes for their expert combination of furnishings and classical items, along with vintage pieces and contemporary objects.’ Alberto Lievore La Francesa issues from this imaginative background, a refined […]