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Lazada
Designed by Gonzalo Mila
Gata originates from a thorough search for balance between the different elements, shapes and diameters of the rattan cane in order to produce a comfortable and resistant seating, as well as an aesthetically harmonic one. Its lines flow smoothly to create a handle at the top of the backrest making its transport easier and bringing to light one of its main virtues: its lightness.
Finishes:
Structure in rattan in natural or stained in a selection of colours, optional seat upholstery in a selection of fabrics or leather
Dimensions:
W490 x D570 x H840 mm SH 470 mm
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Its structure emerges from a game of tangent lines between its four organic frames and of those with the seat, thus securing stability and at the same turning it almost transparent.
Its oblong structure reminds that of Neolithic dolmens with two vertical pieces supporting a large flat capstone, but very much lighter as it is made of thin aluminum sheets and wood slats. Hence its name. Thanks to its simple design, as clever as pleasant, Slats blends smoothly into any kind of background.
Kabu, curve in Japanese. With this name, I stress the conceptual process of the collection design. The light structure is dressed up with a technical fabric that becomes skin and wrap. The curvature generated as a result of the fabric tension on the structure highlights the desire for a lightweight, upholstered frame.
With its round, enveloping shell, Armadillo is a revision of a furniture classic in rattan: the papasan. But this is a radically free and wonderfully postmodern version. Armadillo has the sympathetic shyness of the animal from which it gets its name and the unmistakable signature of the Valencian studio in its silhouette.
Of all our classics, Copa was perhaps the one that did not need to be remembered because it was never forgotten. Despite its majestic pose, the truth is its high backrest provides a warm, enveloping hug. Its organic design evokes the blossoming bud of a flower welcoming the person who sits on it.