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Designed by Gonzalo Mila
Gata originates from a thorough search for balance between the different elements, shapes and diameters of the rattan cane in order to produce a comfortable and resistant seating, as well as an aesthetically harmonic one. Its lines flow smoothly to create a handle at the top of the backrest making its transport easier and bringing to light one of its main virtues: its lightness.
Finishes:
Structure in rattan in natural or stained in a selection of colours, optional seat upholstery in a selection of fabrics or leather
Dimensions:
W490 x D570 x H840 mm SH 470 mm
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Its structure emerges from a game of tangent lines between its four organic frames and of those with the seat, thus securing stability and at the same turning it almost transparent.
$1,940.00
Constanza is the quintessential expression of Miguel Mila?s timeless design language. Created in collaboration with his son Gonzalo Mila, it brings together his two favorite materials: rattan cane and leather.
$440.00
Applique de Marseille, designed by Le Corbusier in 1938/1939 for his Parisian flat in Rue Nungesser et Coli, provides direct and diffused light: two cone-shaped lampshades orient the light upwards and downwards, providing uniform and sharp light beams.
$630.00
A symbol in the history of design, spaghetti is the first Alias chair to appear in the MoMA collection of New York. The Spaghetti chair is an excellent example of material and formal simplicity that multiplies, in its many variants, the opportunities for use.
Created in 1958 for the interior of the Chamber of Commerce of Milan, this chair is designed to combine comfort and stackability. The same concept was revived for contemporary settings, but with a fundamental difference: unlike the iron frame of the original project, it is now in warm ash wood.
This armchair with an open backrest comes from TON’s traditional line of products. Typical are: its timeless shape and versatile usage.