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Lazada
Designed by Mut Design
With its round, enveloping shell, Armadillo is a revision of a furniture classic in rattan: the papasan. But this is a radically free and wonderfully postmodern version. Armadillo has the sympathetic shyness of the animal from which it gets its name and the unmistakable signature of the Valencian studio in its silhouette.
Finishes:
Structure in rattan in natural or stained in a selection of colours, upholstery in a selection of fabrics
Dimensions:
W1050 x D940 x H840 mm SH470 mm
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The Twins collection is composed of two lounge chairs with similar genetics born under the same premises but with has its own personality and unique characteristics, so they can work perfectly either together or separately. They are the result of a unique creative process that starts from the finishes, and the pursuit of comfort through […]
Nautica is a hanging seat that pays homage to one of the first pieces produced by Expormim in the 70?s. Our commitment to the creation of a unique design that would recover and rethink the traditional use of rattan was matched by the will of delivering something different, unexpected. Natural world is filled with contrasts […]
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Kiri is a set of round accent tables combining rattan with solid wood and lacquer in an aesthetically fluent dialogue. It may be difficult to imagine how such a supple material like the rattan used to shape the base can support the weight of the wooden tops, but the fact is rattan is actually strong. […]
Of all our classics, Copa was perhaps the one that did not need to be remembered because it was never forgotten. Despite its majestic pose, the truth is its high backrest provides a warm, enveloping hug. Its organic design evokes the blossoming bud of a flower welcoming the person who sits on it.
Huma chair is a project trying to preserve the classic philosophy of rattan production process while engaging in a research for greater comfort through the use of flexible ribs in its shell-shaped backrest and its upholstered seat.
This project is born from the wish to recover rattan as a fine material and reclaim Spain?s rich craftsmanship tradition. Oscar Tusquets tries to give a new look to an ancient technique replacing the brackets and bonds traditionally used as connecting elements by the twinning of one cane to the next.