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Lazada
Designed by Naoto Fukasawa
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.
Finishes:
Structure in fiberglass lacquered white, gold or blue
Dimensions:
1140 x 900 x H380 mm
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Naoto fukasawa develops a big pouf precisely by a small stone. A naturalistic form first tamed then alienated with the use of innatural colors.
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Naoto Fukasawa designed the Ten armchair, which is cozy and comfortable, matches the Ci coffee table, creating a lounge area that harmoniously blends into all interiors, from classical to metropolitan.
In 1991, Dordoni beguns, among the firsts, a recovery process of traditional furniture by reinterpreting the classic English club sofa. Designed at the height of Minimalism, Hall collection recovers some fundamental values such as domesticity and comfort.
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Like the undulating lines of coastal nature?simultaneously static yet softy organic?the Shore family embodies fleeting moments in its sweeping design. Crafted by designer Joel Fj?llstr?m, this upholstered series features a 2- and 3-seater sofa and an armchair, marking a significant chapter as his debut venture from his own creative atelier. The Shore Sofa beckons one’s […]
$3,190.00$2,711.50
When Jaime Hayon started working on Catch, he drew a man with open arms, like a chair that wants to catch you – and the chair works like that. &Tradition’s collaboration with Jaime Hayon dates to when the company was founded in 2010, and Catch was the first product to come out of the exchange […]
Oblique corners reminding of ancient obelisk shapes, creating an architectural play of light and shadow. Full volumes seem to float above the floor, on hidden base. Crystal is a collection of sofas and armchairs away from ordinary standards and clichés which gives birth to a suspended and dynamic effect with no need of aesthetical devices. […]