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Designed by Philippe Starck
Driade has reissued the lounge chair designed by Philipe Starck in 1984, part of the celebrated and iconic Costes series, from which it draws its unmistakable features: a wraparound wooden shell and three sharply angled legs. This armchair, with its enveloping and comfortable seat, is a statement piece in the most elegant settings, both in the home and in the hospitality industry. In addition to being available in the same materials and upholstery as Costes, Pratfall is reimagined in a wide range of new combinations and combinations of curved plywood shells and leather upholstery.
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Obtained form the ancient wax casting technique, Miss Lacy represents and makes accessible a baroque lace by transforming it into an embracing shell. Characterized by the expertly pierced shiny mirrored stainless steel. A true jewel than to a functional object.
Even a classical image, as a railed chair, in the hands of Philippe Starck acquires a particular connotation. In Pip-e, the sequence of horizontal elements, which create the seat and back definetly, takes on a strong chiaroscuro and goes, unexpectedly, to accompany the bending of the knees.
Characterized by the embracing shell and stiletto legs, Lago is enhanced by it’s intensifying bright colors that deliberately smooth the entire surface.
A chair deliberately abstract in its composition and, for this reason, comfortable in unpredictable ways. Seemingly carved into a block, Toy speaks a language of sharp and broad plans that make it different from other molded polypropylene chairs. In this connotation Toy is unique even within the design corpus of Philippe Starck.
In 1991, Dordoni beguns, among the firsts, a recovery process of traditional furniture by reinterpreting the classic English club sofa. Designed at the height of Minimalism, Hall collection recovers some fundamental values such as domesticity and comfort.
This project is born from the wish to recover rattan as a fine material and reclaim Spain?s rich craftsmanship tradition. Oscar Tusquets tries to give a new look to an ancient technique replacing the brackets and bonds traditionally used as connecting elements by the twinning of one cane to the next.