Visit us in store for a wider selection of items not found online.
Lazada
Designed by Philippe Starck
Finishes:
Base in ebonized mahogony base with cast aluminium cap and castors, top in white marble
Dimensions:
W1050 x D1050 x H500 mm
0
lou eat is not a chair, it is an animal-like sculpture that could eat you.’ Philippe Starck Lou eat and lou think, along with lou read, form the lou read family, a seating collection that features plastic sculptural shapes. lou eat is the easiest and most versatile item in the collection, a small armchair upholstered […]
The cultured and omnivorous voracity of Philippe Starck faces, in Neoz collection, the poetry of solid wood and the traditional archetypes form is reviewed. The result is a timeless collection characterized by straight lines as well as by a strong image.
Many years ago, at its beginning, Lord Yo was simply a polypropylene easy chair with an aluminum structure, now it’s an icon. Recognized and recognizable anywhere and by anyone. It took Philippe Starck to carry out such an extraordinary stunt, built with soft curves and raised back, almost a throne, and slightly bent legs. Then […]
The Dunas xs seating sellection arises from the pursuit of a transversal design that can take its place amongst the most diverse spaces and styles. Refinement, neutrality, formal clarity and essential elegance are the marks of identity of this versatile collection of chairs and armchairs designed by Christophe Pillet.
Aluminum and perforated texture armchair, it is available in different shades of colors; ideal for outdoor use and resistant to atmospheric agents.
$2,440.00
Archetypal shapes in architectural geometry inspire these historical masterpieces._ Designed by the great contemporary architect from the Ticino canton for the interiors of some of his famous buildings, they have become classics in the Alias catalogue, icons of design made in Italy. Main features are the seats seconda, in perforated sheet steel.
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.