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Designed by Christophe Pillet
A diamond changes into a seat: faceted from a thousand veins that reflect light, Meridiana transforms the lines of construction and power in lines of poetry. Suspended in its thin metal structure, it shines in its transparency or its sophisticated nuances.
Finishes:
Swivel, base in steel in chrome finish, natural ash or lacquered charcoal, seat in polycarbonate in white, black, transparent or smoke grey
Dimensions:
W575 x D550 x H835-915 mm SH440-520 mm Glides: W575 x D550 x H810-890 mm SH415-495 mm
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Summer Set is proof that a simple chair can become something fun for decorating rooms, houses and public places.
The Dunas xs seating sellection arises from the pursuit of a transversal design that can take its place amongst the most diverse spaces and styles. Refinement, neutrality, formal clarity and essential elegance are the marks of identity of this versatile collection of chairs and armchairs designed by Christophe Pillet.
As fascinating as a throne and as protective as a cradle, a seat that combines the concepts of strength and softness in a single piece of furniture. The sleek Mstructure, made from solid beech strips, surrounds and supports the seat and the headrest in birch plywood with fabric upholstery. An important piece, destined to grab […]
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As admirer of Alexander Calder, in 1951 Schottlander created the Mantis series of lamps. Movement is intrinsic to all of Schottlander’s work: an artist, an engineer and in no small measure a handyman, he devised a clever system of counterweights combined with a series of strong, and flexible metal bars. The shade also is unique […]
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Lampe de Marseille was named after the Unit? d?Habitation in Marseille, the massive building designed between 1949 and 1952 by Le Corbusier and a symbol of Brutalist architecture.
Essential aesthetics and pure functionality. The swivelling arc in matte black painted steel allows wide movement, and gives the opportunity to both interact and decorate the space. The cylindrical spot, with optional anti-glare filter, allows the light to be directed as required. The light beam is warm and diffuse.
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The lamp 1953 designed, by Ostuni e Forti, has two models, floor and table, varying in proportion and size but identical in their design which shifts the whole lampshade section from the centre to the side. A range that elegantly recalls the style of those years, such as the use of a shade in the […]