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Designed by Gordon Guillaumier
An exercise in style, refinement and essentiality, the Megara sofa comes with suede, fabric and leather covers and features a round backrest that smoothly flows into the armrest and creates a refined detail just before meeting the seat: almost a cushion sinking into the backrest. A terminal element, a day-bed and a pouf complete the set to convey an idea of full and timeless elegance. It is conceived for lovers of classic sofas who do not want to miss out on the distinct Driade’s style.
Finishes:
Legs in steel painted dark, upholstery in a selection of fabrics or leather
Dimensions:
W2000 x D1020 x H750 mm
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An exercise in style, refinement and essentiality, the Megara sofa comes with suede, fabric and leather covers and features a round backrest that smoothly flows into the armrest and creates a refined detail just before meeting the seat: almost a cushion sinking into the backrest. A terminal element, a day-bed and a pouf complete the […]
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.
Illusioni is a coffee table with black iron structure and transparent crystal tops. The volumes seem to fluctuate as in the absence of gravity; the slender structure establishes its light and essential line.
$2,110.00
Looking to create a versatile piece that would adapt to its surroundings, design duo Hvidt & Molgaard devised this handsome lounge table in 1956. As part of the Drop Leaf series, it boasts the same curved wooden frames and easily foldable design. Available in solid walnut or oak.
“MT”, or the initials that calls these pieces designed by Ron Arad, are pronounced in English as “empty”. The void is the key element of this project. The volume, made through a rotational molding, is in fact carved and shows provocatively the inside, finished in different colors. From the typological point of view also worth […]