Visit us in store for a wider selection of items not found online.
Lazada
Designed by Philippe Starck
lou eat is not a chair, it is an animal-like sculpture that could eat you.’ Philippe Starck Lou eat and lou think, along with lou read, form the lou read family, a seating collection that features plastic sculptural shapes. lou eat is the easiest and most versatile item in the collection, a small armchair upholstered in leather. conceived as a dining room seat, it is also ideal as the sole protagonist of spaces.
Finishes:
Structure upholstered in leather
Dimensions:
W590 x D570 x H840 mm SH470 mm
0
As a reinterpretation of Costes chair, King Costes alters its size and increase its firmness while confirming the absolute recognition of this image and its durability against trends alternation.
Neoz sofas, bed and day-bed emphasize the formal charateristics of the collection they belong to, by building a sort of living nest marked by the hem-stitched tissue whiteness, like past laundry, and the cushions’ softness. Large wheels, though, suggest it as an only termporary luxe.
Designed with a boldness that emphasizes and imposes its presence, evoking an elegant stability. Monumental and poetic. The soft curves of the Elephante table legs give a pure and exclusive refinement that allow it to adapt harmoniously in different contexts, be they classic or contemporary.
The design of the Mingx collection issues from the same tubular profile that also inspired the bookcase zigzag, and develops into an extensive family of elements: seats, stools and tables, which establish a harmonious mutual dialogue that also extends to the bookcase. the name Mingx clearly refers to the Ming dynasty that most influenced the […]
The sectional sofa is the theme characterizing typological design since the 90s of last century. Ludovica and Roberto Palomba confront it, emphasizing the sense of suspension from the ground, thanks to a thin metal structure and developing, in the version with terminals, a great peninsula from the gracefully asymmetric shape.
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.