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Lazada
Designed by Philippe Starck
Characterized by the embracing shell and stiletto legs, Lago is enhanced by it’s intensifying bright colors that deliberately smooth the entire surface.
Finishes:
Legs in polished aluminumm, seat in polyurethane upholstered in leather in dark beige, brown, white or black
Dimensions:
W580 x D580 x H770 mm SH450 mm
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A chair deliberately abstract in its composition and, for this reason, comfortable in unpredictable ways. Seemingly carved into a block, Toy speaks a language of sharp and broad plans that make it different from other molded polypropylene chairs. In this connotation Toy is unique even within the design corpus of Philippe Starck.
Successful completion to the generous shapes of the famous Lord Yo armchair, Lord Yi table is surprising for its simplicity and the clear composition of the parties, deliberately signaled in his tripartite division of base, shaft and top.
Obtained form the ancient wax casting technique, Miss Lacy represents and makes accessible a baroque lace by transforming it into an embracing shell. Characterized by the expertly pierced shiny mirrored stainless steel. A true jewel than to a functional object.
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.
The Split chair links our more than 150-year-old technology with contemporary design. It is based on manually bent split lengths of massive wood; which, at the same time, are both a design and functional element of seating furniture – it supports the seat and also the backrest. It is elegantly slid in, behind the seat […]
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Naoto fukasawa develops a big pouf precisely by a small stone. A naturalistic form first tamed then alienated with the use of innatural colors.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.