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Lazada
Designed by Philippe Starck
As a reinterpretation of Costes chair, King Costes alters its size and increase its firmness while confirming the absolute recognition of this image and its durability against trends alternation.
Finishes:
Structure in polished aluminium, seat shell in painted black with seat shell in mahogany or ebonized mahogany with seat upholstered in leather in black, or seat shell in bamboo with seat upholstered in beige leather
Dimensions:
W505 x D560 x H810 mm SH450 mm
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Neoz sofas, bed and day-bed emphasize the formal charateristics of the collection they belong to, by building a sort of living nest marked by the hem-stitched tissue whiteness, like past laundry, and the cushions’ softness. Large wheels, though, suggest it as an only termporary luxe.
Successful completion to the generous shapes of the famous Lord Yo armchair, Lord Yi table is surprising for its simplicity and the clear composition of the parties, deliberately signaled in his tripartite division of base, shaft and top.
The sectional sofa is the theme characterizing typological design since the 90s of last century. Ludovica and Roberto Palomba confront it, emphasizing the sense of suspension from the ground, thanks to a thin metal structure and developing, in the version with terminals, a great peninsula from the gracefully asymmetric shape.
The quality of being modest: The freedom from vanity, the respect for discretion in the conduct, in the language, in the clothing, the simplicity, the moderation, designed to prevent the accidental exposure of a body part, a strip of modesty, of meekness.
Matteo Thun and Antonio Rodriguez are known for their aplomb in treating furniture as a global decorative topic. Their pieces evoke a sedimented ?living culture rooted in borgeois comfort and hospitality. S.MARCO chair, MERAN armchair and VIGILIUS collection mirror the charming image of those spaces, once called fumoir.