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Designed by Enzo Mari
Very lucidly, Enzo Mari decided to realize this tables collection with transparent crystal tops in order to valorise the harsh simplicity of steel sections bases. Designed in 1973 for Driade, uninterruptedly producted since then, these pieces can be certainly numbered among the most successful of the Milan master.
Finishes:
Base in steel painted black, beem in beech wood in natural or veneer in walnut, fossil oak or oak stained black, top in tempered clear glass
Dimensions:
W2000 x D500 x H500 mm
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Its oblong structure reminds that of Neolithic dolmens with two vertical pieces supporting a large flat capstone, but very much lighter as it is made of thin aluminum sheets and wood slats. Hence its name. Thanks to its simple design, as clever as pleasant, Slats blends smoothly into any kind of background.
A lacquered metal base meets a top in glass, wood, ceramic or Materia, to give life to a tables collection with a distinctive personality and versatility in the setting, from home to contract spaces.
In a table, oval means perfect: no edge, no head of the table, no diner and, above all, a form expanded in space. Antonia Astori balance then the top elegant simplicity with a sculptural base made of a malleable as contemporary material.
In 1991, Dordoni beguns, among the firsts, a recovery process of traditional furniture by reinterpreting the classic English club sofa. Designed at the height of Minimalism, Hall collection recovers some fundamental values such as domesticity and comfort.