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Designed by Enzo Mari
Very lucidly, Enzo Mari decided to realize this tables collection with transparent crystal tops in order to valorise the harsh simplicity of steel sections bases. Designed in 1973 for Driade, uninterruptedly producted since then, these pieces can be certainly numbered among the most successful of the Milan master.
Finishes:
Base in steel painted black, beem in beech wood in natural or veneer in walnut, fossil oak or oak stained black, top in tempered clear glass
Dimensions:
W1300 x D800 x H720 mm W2000 x D800 x H720 mm W2000 x D860 x H720 mm W2100 x D860 x H720 mm W2250 x D860 x H720 mm W2750 x D860 x H720 mm W3000 x D860 x H720 mm
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The Genoa seating collection , designed by the young Cesare Ehr , expands with the stool and chair versions with armrests, also in the outdoor variant . The characterizing element is the ‘one line’ backrest, obtained by the curvature of a single metal tube which – with its virtually infinite sinuous line, extended in this […]
Someone once said that ‘form follows function.’ This remarkable little Plana fabric chair, designed by Kristalia, follows that dictum to a ‘t’ with its smooth, solid lines, brave planes, and delightfully refined shape. Its light padding makes it exceptionally comfortable. This chair, with its esteemed and highly recognizable design, will not lose its powerful visual […]
$2,440.00
Archetypal shapes in architectural geometry inspire these historical masterpieces._ Designed by the great contemporary architect from the Ticino canton for the interiors of some of his famous buildings, they have become classics in the Alias catalogue, icons of design made in Italy. Main features are the seats seconda, in perforated sheet steel.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.