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Lazada
Designed by Enzo Mari
Very lucidly, Enzo Mari decided to realize this tables collection with transparent crystal tops in order to valorise the harsh simplicity of steel sections bases. Designed in 1973 for Driade, uninterruptedly producted since then, these pieces can be certainly numbered among the most successful of the Milan master.
Finishes:
Base in steel painted black, beem in beech wood in natural or veneer in walnut, fossil oak or oak stained black, top in tempered clear glass
Dimensions:
W1300 x D800 x H720 mm W2000 x D800 x H720 mm W2000 x D860 x H720 mm W2100 x D860 x H720 mm W2250 x D860 x H720 mm W2750 x D860 x H720 mm W3000 x D860 x H720 mm
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This minimalist and highly elaborate chair is a re-design of the classic model No. 14. The designer divided its six pieces by two and 002 emerged – a chair made from only three pieces. Two of them – the manually processed bends – are identical and form legs, backrest and armrests all in one.
Altet is one of those timeless classics deserving to be reedited because of its elegance and the simplicity of its shape. Without giving up on its roots or losing a tiny bit of its character, this updated version of Altet keeps showing how to successfully survive the passage of time.
Rama is the outcome of the meticulous details of the designers and the technology used by Kristalia from the outset: a return to wood processing, typical of the area where Kristalia is based. The chair features clear-cut lines that are also warm and attractive, perfectly matching the style of Kristalia.
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A throwback to mid-century modern? Not quite. Extreme proportions lend themselves to an elegant and surprising form in this update to an old classic. The smooth, yet decisive, shift between slim and solid, which creates the Bukowski chair?s curvaceous legs, is played out like a lively dance with the material. Meanwhile the balance of the […]