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Designed by Philippe Starck
There are objects that are universally recognized as icons. The Costes armchair, which in 1984 marked the beginning of the collaboration between Philippe Starck and Driade, and the consecration of the then-unknown designer in Italy, is certainly one such object. Designed for the now-defunct Parisian caf? of the same name, it owes its enduring success to the absoluteness of its form: an enveloping dark wood shell and three sharply angled legs.
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lou eat is not a chair, it is an animal-like sculpture that could eat you.’ Philippe Starck Lou eat and lou think, along with lou read, form the lou read family, a seating collection that features plastic sculptural shapes. lou eat is the easiest and most versatile item in the collection, a small armchair upholstered […]
Many years ago, at its beginning, Lord Yo was simply a polypropylene easy chair with an aluminum structure, now it’s an icon. Recognized and recognizable anywhere and by anyone. It took Philippe Starck to carry out such an extraordinary stunt, built with soft curves and raised back, almost a throne, and slightly bent legs. Then […]
An armchair/character, with an organic outline, perhaps anthropomorphous, conceived with leather directly fixed on a fiberglass skeleton. A tribute, to the great Carlo Mollino and to the Danish design of the 50s, led by Starck with impeccable mastery. The frame is the result of a complex and skilful construction: a first outer shell made of […]
Obtained form the ancient wax casting technique, Miss Lacy represents and makes accessible a baroque lace by transforming it into an embracing shell. Characterized by the expertly pierced shiny mirrored stainless steel. A true jewel than to a functional object.
$1,040.00
A symbol in the history of design, spaghetti is the first Alias chair to appear in the MoMA collection of New York. The Spaghetti chair is an excellent example of material and formal simplicity that multiplies, in its many variants, the opportunities for use.
Characterized by a sophisticated balance between structure and seat, which appears to be suspended, it represents the typical expression of Italian craftmanship. The structure is realized in curved wood, with a natural, black stained or walnut finish, combined with a wooden or covered seat in various finishes.
The Genoa seating collection , designed by the young Cesare Ehr , expands with the stool and chair versions with armrests, also in the outdoor variant . The characterizing element is the ‘one line’ backrest, obtained by the curvature of a single metal tube which – with its virtually infinite sinuous line, extended in this […]
It is a timeless chair because it comes in a material – natural hide obtained by respecting all the properties that comprise its identity – and because the project underlying this chair has the strength to challenge time: the hide will inevitably move, its texture will change and its colour will alter but the chair […]