Clearance items - Up to 80%*
Online Exclusive - 10% off &Tradition with code AT10
Visit us in store for a wider selection of items not found online.
Designed by Ludovica & Roberto Palomba
Virginia is a collection designed by Ludovica + Roberto Palomba for Arrmet with a decisive and tangible sign, rich in modernity, sensuality and awareness. The solidity and softness of upholsteries draw near the simplicity and lightness of bases. Virginia plays the eternal duality of reality, in the coexistance of solid and concrete but at the same time light and soft just like the “sulfur-yellow butterflies” described by Virginia Woolf .
Finishes:
Legs in steel in chrome or lacquered white, grey brown, black, copper or brass, upholstery in a selection of fabrics, vinyl or leather
Dimensions:
W520 x D520 x H740 mm SH450 mm
Note:
Minimum order of 4 pcs
0
Virginia is a collection designed by Ludovica + Roberto Palomba for Arrmet with a decisive and tangible sign, rich in modernity, sensuality and awareness. The solidity and softness of upholsteries draw near the simplicity and lightness of bases. Virginia plays the eternal duality of reality, in the coexistance of solid and concrete but at the […]
Design has recently begun to reread the last 80s, a period full of hedonistic sings. Ludovica and Roberto Palomba embrace this input in a collection for driade that combines some of this aesthetic hallmarks as straight cast-aluminium structure elegantly painted and damier decoration.
Jorge Pensi has designed the collection LUND looking for a universe clear, honest and full of essential elegance. A collection which consists of elegant armchairs and sofas that are available with two types of arms and two versions of upholstered bodies. The first combines the upholstery with an enveloping wooden frame in natural oak and […]
BEAR collection is made of both visually attractive and physically inviting pieces, characterized by soft lines, thin tubular metal bases and comfortable seating.
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.