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Designed by Riccardo Blumer
With Lanuda chair, Riccardo Blumer evolves his design research on seats, moving from the wood of Laleggera designed in 1996 to aluminium. Even if Laleggera and Lanuda embody the same principle of essential subtraction – the former employing minimal wood thicknesses in a box structure, the latter using aluminium sheets crafted following a reticu- lar logic – it is with Lanuda that this research reaches its extreme limit. The seat takes shape from ten aluminium sheets with a thickness of just 2 mm, which undergo a process of laser cutting and drilling to the maximum possible limit, reducing the surface area to a minimum and making the seat, in fact, nude, in italian ?La-nuda? means ?The-nude?. The result is a stackable chair characterised by a rich and complex desi- gn. A special processing of aluminium creates a series of triangulations with structural membranes that are folded and secured by mechanical rivets.
Finishes:
Structure in aluminium powder coated black
Dimensions:
W560 x D530 x H750 mm SH425 mm
$1,160.00
The Missing Chair appears as if a simple line drawing has sprung into life. Sensual yet strong, the soft curve of each line creates a whimsy that is hard to describe. Straight lines have been softened, allowing the timber seat and back to appear as if floating above the thin steel frame. What remains are […]
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“MT”, or the initials that calls these pieces designed by Ron Arad, are pronounced in English as “empty”. The void is the key element of this project. The volume, made through a rotational molding, is in fact carved and shows provocatively the inside, finished in different colors. From the typological point of view also worth […]
$1,040.00
A symbol in the history of design, spaghetti is the first Alias chair to appear in the MoMA collection of New York. The Spaghetti chair is an excellent example of material and formal simplicity that multiplies, in its many variants, the opportunities for use.