Designed by Clement Cauvet
Tau, borrows its name and shape from the Greek alphabet. A return to the essentials of language, a timeless dialogue. The object is on the border between a sculpture and an architectural building, it is functional through its light.
Finishes:
Base and shade in brass, structure in concrete
Dimensions:
W400 x D170 x H458 mm
Wattage:
6.8W, 2700K, Built in LED
$1,860
Pi is on the border between a sculpture and an architectural building, it is functional through its light. The light source shines backwards, when placed next to a wall, illuminates to give a pleasant light.
$1,800
Iota borrows its name and shape from the Greek alphabet. A return to the essentials of language, a timeless dialogue. On a table, a console, a desk, the finesse of the object is revealed when the light caresses this radicalness.
$0
An avant-garde icon of the 1950s, Pivotante ? Poser was conceived by Charlotte Perriand as an architectural element. The light emission interacts with the material texture, volumes, dimensions and graphic signs created by the two rotating diffusers, which allow both closing and opening of the light beam for direct or indirect light.
$490
In August 1970, Bertrand Balas designed the lamp Here Comes the Sun. At first glance, this original design is like all the other lamps that get called an ?Original?. But once lit, the Here Comes the Sun hanging lamp takes on a magical quality. Darkness looses its rawness and metamorphoses into something reassuring.
0
Designed in 1965 by Elio Martinelli, the lamp is made of methacrylate molding techniques innovative for the time in which it was designed and its geometric shape and dynamism revives the atmosphere of those years decisive for the success of the design Italian in the world.
$1,870
The new series of light sculptures named Ambra combines volumes of ancient stones and aluminium. Centerpiece is the Mexican ‘Toba volcanica’ stone that consists of minerals, glass and volcanic debris ejected one million years ago during severe eruptions. Fragments in the geometrical surfaces are testament to these explosions and movement. The contrast between porous textures […]