Designed by Arik Levy
The Split high stool links our more than 150-year-old technology with contemporary design. It is based on manually bent split lengths of massive wood; which, at the same time, are both a design and functional element of seating furniture – it supports the seat and also the backrest. It is elegantly slid in, behind the seat made also from massive wood.
Finishes:
Structure in solid beech or ash wood in natural, stained or lacquered
Dimensions:
W454 x D463 x H810 mm SH610 mm W454 x D504 x H980 mm SH780 mm
Note:
Minimum order of 6 pcs
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The Split chair links our more than 150-year-old technology with contemporary design. It is based on manually bent split lengths of massive wood; which, at the same time, are both a design and functional element of seating furniture – it supports the seat and also the backrest. It is elegantly slid in, behind the seat […]
The Split armchair links our more than 150-year-old technology with contemporary design. It is based on manually bent split lengths of massive wood; which, at the same time, are both a design and functional element of seating furniture – it supports the seat and also the backrest. It is elegantly slid in, behind the seat […]
The Split chair with arms links our more than 150-year-old technology with contemporary design. It is based on manually bent split lengths of massive wood; which, at the same time, are both a design and functional element of seating furniture – it supports the seat and also the backrest. It is elegantly slid in, behind […]
Innovative and unusual product, which its design weaves around the nautical rope taking advantage and improvisation of the nautical rope production process for the application in the furniture sector. The skilful craftman work gives to the seat an added value between the craftmade and the industrial.
$2,260
A family of seatings that share an aesthetic and functional DNA. Every material is found to fit the best for each product, both for structures and surfaces.
Osaka is a collection of seatings with a strong graphic impact whose construction elements remind the linear features of an ideogram, due to their pureness and simplicity. Its rectilinear profile reveals a welcoming three-dimensionality, completed by the tactile well being of the wood.