Designed by Bernard Schottlander
As admirer of Alexander Calder, in 1951 Schottlander created the Mantis series of lamps. Movement is intrinsic to all of Schottlander’s work: an artist, an engineer and in no small measure a handyman, he devised a clever system of counterweights combined with a series of strong, and flexible metal bars. The shade also is unique of its kind. Like an acrobat suspended in mid-air, it is made from aluminium using spinning and chasing techniques that are a part of the metalworker???Ǩ?Ѣs inventory of skills, but to which he has brought his sculptor???Ǩ?Ѣs eye to create a helical movement in which the symmetrical and the asymmetrical are in opposition.
Finishes:
Adjustable shade and stem, structure in steel and shade in aluminium in black
Dimensions:
W520-820 x D220 x H650-830 mm
Wattage:
11W, E14
$1,970
As admirer of Alexander Calder, in 1951 Schottlander created the Mantis series of lamps. Movement is intrinsic to all of Schottlander’s work: an artist, an engineer and in no small measure a handyman, he devised a clever system of counterweights combined with a series of strong, and flexible metal bars. The shade also is unique […]
$600
$2,020
A silhouette that naturally evokes a praying mantis in weightlessness, the Mantis floor lamp has now been structurally tweaked and improved just as designer Schottlander envisioned in his time. Still composed of a long steel rod topped by a black shade pivoting on a ball joint, resting on its round base, the BS8 L floor […]
$1,840
$0
The Albini AM/AS collection represents the rationalistic philosophy of the Milanese architect. A 1969 design that combines linear shapes with the extreme quality of materials, such as the hand-blown glass of diffusers. Aiming to manage the different volumes of the space with a single design: ceiling, wall, floor and table.
$650
Lampe de Marseille was named after the Unit? d?Habitation in Marseille, the massive building designed between 1949 and 1952 by Le Corbusier and a symbol of Brutalist architecture.
$1,270
The starting point of AARO was a gesture. A movement. Simon Schmitz wanted to create an as fluid motion as possible, which immediately lead him to the sphere. A sphere has so many fantastic attributes. With a sphere as a joint they are no limited directions, it has no left or right, no top or […]