Designed by Le Corbusier
Lampe de Marseille was named after the Unit? d?Habitation in Marseille, the massive building designed between 1949 and 1952 by Le Corbusier and a symbol of Brutalist architecture.
Variation
$0
Between 1951 and 1957, Le Corbusier designed the Sanskar Kendra Museum, a museum in the Indian city of Ahmedabad. The spiral shaped building contains all the fundamentals of his architecture. For this project, in 1954 Le Corbusier conceived a lighting system he named ?Projecteur?, installed in the structure to maximise the lighting effect
Applique de Marseille, designed by Le Corbusier in 1938/1939 for his Parisian flat in Rue Nungesser et Coli, provides direct and diffused light: two cone-shaped lampshades orient the light upwards and downwards, providing uniform and sharp light beams.
In 1949 Le Corbusier conceived Applique d?entr?e des appartments, a wall lamp of curved metal sheet to enlighten the entrances of the Unit? d?Habitation in Marseille, the housing unit symbol of the Modern Movement in its architectural and urbanistic conception. The Master designed the paradigm of the wall lamp, giving it the maximum efficiency while […]
$540
Space Copenhagen?s ambition was to design a lamp with a simple industrial feel, but which was still elegant and poetic.
Onfale, designed by Luciano Vistosi in 1978, is a masterpiece of design that catches the attention of anyone who sees it. Its sinuous, rounded shape recalls the perfect shape of a mushroom. It comes with a blown glass frame and an opal glass diffuser, providing a uniform and lovely illumination. The transparent hot-rolled glass edge […]
$1,380
The Parc Collection is inspired by childhood imagination and the essentiality of homemade forms. Evoking the archetype of a flashlight, each lamp from the Parc Collection is a playful reminder of time spent in nature?when a simple tube and piece of string could be used to fashion any number of creations. The Parc 01 model […]
0
Nesso is an icon of Italian design from the ?6s, a decade that heralded the conquest of modernity in which design redefined the domestic landscape though the first uses of plastics. Innovative and democratic, its expressive form inspired by nature interprets and challenges industrial manufacturing technology.