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Charlotte Perriand was inspired by the boom of sailboats when in 1938 she conceived Potence Pivotante. Designed as a highly accessible swivel lamp, realized using two black tubular sections assembled in the shape of an inverted ?L? to lead the electrical wire from the switch to the bulb. The steel arm fixed to the wall […]
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The Albini AM/AS collection represents the rationalistic philosophy of the Milanese architect. A 1969 design that combines linear shapes with the extreme quality of materials, such as the hand-blown glass of diffusers. Aiming to manage the different volumes of the space with a single design: ceiling, wall, floor and table.
Essential aesthetics and pure functionality. The swivelling arc in matte black painted steel allows wide movement, and gives the opportunity to both interact and decorate the space. The cylindrical spot, with optional anti-glare filter, allows the light to be directed as required. The light beam is warm and diffuse.
An avant-garde icon of the 1950s, Pivotante ? Poser was conceived by Charlotte Perriand as an architectural element. The light emission interacts with the material texture, volumes, dimensions and graphic signs created by the two rotating diffusers, which allow both closing and opening of the light beam for direct or indirect light.
Realised in 1979, Kuta expresses Magistretti?s constant quest to combine simplicity and geometric rigour with an evocative lighting effect of lights and shadows.
Between 1951 and 1957, Le Corbusier designed the Sanskar Kendra Museum, a museum in the Indian city of Ahmedabad. The spiral shaped building contains all the fundamentals of his architecture. For this project, in 1954 Le Corbusier conceived a lighting system he named ?Projecteur?, installed in the structure to maximise the lighting effect
In 1946, Vico Magistretti conceived Claritas, his first lighting design, which conceptually aimed for clarity and brightness. In a context of reconstruction and reconversion of the war industry, for the first time Magistretti used bent metal tubes and a curved aluminium sheet as a reflector, which could be oriented and regulated, ensuring the desired lighting […]
Lampe de Marseille was named after the Unit? d?Habitation in Marseille, the massive building designed between 1949 and 1952 by Le Corbusier and a symbol of Brutalist architecture.
Suspension lamp in aluminum, composed of a slender structure with three light points and diffusers that can be selected according to different versions. Spot version available for punctual lighting, version with spherical diffuser in opal blown glass and version with a metallic cone in burnished gold and black finish that allows more light diffusion.
Designed by Charlotte Perriand for her mountain chalet Le Vieux Matelot, Applique Cylindrique is a design that dates back to the early 1930s. Her interest in pivoting screens reflects her observation on human gestures: a simple touch allows to direct the lampshade and to control the light beam, making it possible to adjust intensity and […]
The first wall lamp designed by Le Corbusier in 1925, originally thought to enlighten the large windows of Villa La Roche, a manifesto of purist architecture. Nemo edits La Roche enhancing its lightness and functionality: a matte metal frame and an opal glass diffuser for soft lighting.
Designed by Kazuhide Takahama in 1973, Saori is a wall and ceiling lamp that represents one of the earliest examples of lighting as an architectural element. A white painted metal structure supports a fabric diffuser.
One of the iconic designs of the 1980s, Logo is a wall and floor system with a simple and rigorous aesthetics, represented by two slender aluminium stems and an adjustable diffuser to direct the light as required.
Applique de Marseille, designed by Le Corbusier in 1938/1939 for his Parisian flat in Rue Nungesser et Coli, provides direct and diffused light: two cone-shaped lampshades orient the light upwards and downwards, providing uniform and sharp light beams.