Designed by Vico Magistretti
For many years now, Atollo has no longer been a lamp, or rather, it has no longer been just a lamp. It has become a myth, an icon: one of the best know symbols of Italian design wordwide, one of the very few products which people recognise and call with its own name. Designed by Vico Magistretti in 1977, it was awarded the Compasso d’Oro in 1979 and became, since then, part of the permanent collections of the world’s major museum of design, as well as part of the furniture of many homes of those who love and are able to select the things surrounding them. Atollo’s secret probably lies in the geometrical construction of its shapes: the cone on the cylinder and the semisphere above all. A luminous sculpture from which nothing can be removed to which nothing can be added. And which nothing can copy.
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In 1946, Vico Magistretti conceived Claritas, his first lighting design, which conceptually aimed for clarity and brightness. In a context of reconstruction and reconversion of the war industry, for the first time Magistretti used bent metal tubes and a curved aluminium sheet as a reflector, which could be oriented and regulated, ensuring the desired lighting […]
Its sinuous curves resulting from the shaping of a sheet of frosted methacrylate softly diffuse the light. It brings together ?simplicity and concept? which for Magistretti are at the heart of durable design.
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The sculptural shape is the result of a simple geometric configuration that combines productive and functional intelligence, perfectly capturing the characteristic traits of the design by Vico Magistretti.
Realised in 1979, Kuta expresses Magistretti?s constant quest to combine simplicity and geometric rigour with an evocative lighting effect of lights and shadows.
Tizio features articulated design that is always perfectly balanced thanks to the counterweights formed by a revolutionary structure that supports the head and at the same time powers the light source, originally a low-voltage halogen bulb, today also a LED. Thanks to the intelligence and elegance with which Tizio combines these two elements, the lamp […]
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As admirer of Alexander Calder, in 1951 Schottlander created the Mantis series of lamps. Movement is intrinsic to all of Schottlander’s work: an artist, an engineer and in no small measure a handyman, he devised a clever system of counterweights combined with a series of strong, and flexible metal bars. The shade also is unique […]