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In a table, oval means perfect: no edge, no head of the table, no diner and, above all, a form expanded in space. Antonia Astori balance then the top elegant simplicity with a sculptural base made of a malleable as contemporary material.
The sectional sofa is the theme characterizing typological design since the 90s of last century. Ludovica and Roberto Palomba confront it, emphasizing the sense of suspension from the ground, thanks to a thin metal structure and developing, in the version with terminals, a great peninsula from the gracefully asymmetric shape.
Many years ago, at its beginning, Lord Yo was simply a polypropylene easy chair with an aluminum structure, now it’s an icon. Recognized and recognizable anywhere and by anyone. It took Philippe Starck to carry out such an extraordinary stunt, built with soft curves and raised back, almost a throne, and slightly bent legs. Then […]
An exercise in style, refinement and essentiality, the Megara sofa comes with suede, fabric and leather covers and features a round backrest that smoothly flows into the armrest and creates a refined detail just before meeting the seat: almost a cushion sinking into the backrest. A terminal element, a day-bed and a pouf complete the […]
A diamond changes into a seat: faceted from a thousand veins that reflect light, Meridiana transforms the lines of construction and power in lines of poetry. Suspended in its thin metal structure, it shines in its transparency or its sophisticated nuances.
The Tokyo-Pop collection marks, in 2002, the debut on the international scene by Tokujin Yoshioka, now considered one of the masters of contemporary design. The sofa, the armchair and especially the chaise longue and the stool, forget the banality of rotational molding to become sculptures. Unforgettable and unusual shapes.
Antonia Astori calls ‘memory furniture’ those pieces which tell something about people attention to indoor living. An attention expressed both by the recovery of disappeared archetypes, eg. canopy bed, and in precious materials manufacturing, eg. pleached roped steel headboard.
Garconne, whose structure is fully covered with leather, is a sofa boasting wide and generous shapes; its soft and large cushions in leather or fabric are bounded by slim, gently curved armrests. Completed by the armchair, Garconne is a luxury item, a fully-fledged protagonist, designed for socialites and people who love meeting friends and relaxing […]
A table that plays on an apparent imbalance, supporting a strongly materic top, especially in the version, by a sequence of three structures placed in a totally unpredictable way. Built as parallelepipeds and fixed either perpendicularly or parallel to the surface, the three base frames are configured rather like a “vacuum†that seems to let […]
As a reinterpretation of Costes chair, King Costes alters its size and increase its firmness while confirming the absolute recognition of this image and its durability against trends alternation.
Design has recently begun to reread the last 80s, a period full of hedonistic sings. Ludovica and Roberto Palomba embrace this input in a collection for driade that combines some of this aesthetic hallmarks as straight cast-aluminium structure elegantly painted and damier decoration.
Sipek, artist and craftsman is able to bend materials to his desires, finds a great potential in rattan and cane, so combines them, bends them and colors them with unusual and sensual patterns.The result is a sculptural vitality suspended between Cubism and baroque.
Successful completion to the generous shapes of the famous Lord Yo armchair, Lord Yi table is surprising for its simplicity and the clear composition of the parties, deliberately signaled in his tripartite division of base, shaft and top.
The quality of being modest: The freedom from vanity, the respect for discretion in the conduct, in the language, in the clothing, the simplicity, the moderation, designed to prevent the accidental exposure of a body part, a strip of modesty, of meekness.
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