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Designed by Philippe Starck
Driade has reissued the lounge chair designed by Philipe Starck in 1984, part of the celebrated and iconic Costes series, from which it draws its unmistakable features: a wraparound wooden shell and three sharply angled legs. This armchair, with its enveloping and comfortable seat, is a statement piece in the most elegant settings, both in the home and in the hospitality industry. In addition to being available in the same materials and upholstery as Costes, Pratfall is reimagined in a wide range of new combinations and combinations of curved plywood shells and leather upholstery.
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Many years ago, at its beginning, Lord Yo was simply a polypropylene easy chair with an aluminum structure, now it’s an icon. Recognized and recognizable anywhere and by anyone. It took Philippe Starck to carry out such an extraordinary stunt, built with soft curves and raised back, almost a throne, and slightly bent legs. Then […]
Created to complement the homonymous chair, Toy table, lives, indeed, an independent life thanks to the elegance of its stem, strongly tapered. A detail which, combined with the soft lines of connection with the top and the base, gives the piece an intense classical connotation.
Even a classical image, as a railed chair, in the hands of Philippe Starck acquires a particular connotation. In Pip-e, the sequence of horizontal elements, which create the seat and back definetly, takes on a strong chiaroscuro and goes, unexpectedly, to accompany the bending of the knees.
Characterized by the embracing shell and stiletto legs, Lago is enhanced by it’s intensifying bright colors that deliberately smooth the entire surface.
In a table, oval means perfect: no edge, no head of the table, no diner and, above all, a form expanded in space. Antonia Astori balance then the top elegant simplicity with a sculptural base made of a malleable as contemporary material.
Metal chair with structure in steel squared tube and upholstered seat. It featurea a soft cap which covers the back and is customizable both in colour and embroidery, hence the name HAT.
The seat section of uniform plywood is broken by the unconventional connections between the legs. The legs pass through the seat emphasizing the structural construction which is also a design detail. The effect is outstanding in the two-color version.
The Sign dining chair pairs soft, enveloping upholstery with a gently curved wooden frame. Its contemporary design and comfort make it ideal for elegant dining rooms