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Designed by Pearson Lloyd
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Quilt is born from a desire to go beyond the latest design fad, offering a system of cushioned sofas that fit perfectly into both the home and contract environment. Its quilted stitching immediately communicates a feeling of comfort and a sense of luxury. The sofa is available in different sizes with a chromed-steel base; the […]
A keen observation of nature and the study of contemporary environments has inspired the London studio Pearson Lloyd in creating a highly original and timeless item, capable of bringing a fresh, new perspective in fulfilling everyday needs: helping us to live better, but also to look beyond the mere objects themselves and the clichés attached […]
Polar is inspired by the shear forms of the ice caps in the arctic seas, thus giving life to an extremely versatile seating system. The seats and backrests , characterized by their full and sheared forms can be coupled together in a variety of ways, creating numerous seating layouts or options. The system is completed […]
$1,720.00
Inspired by the human iris, the poetic tables combine color, geometry, and reflection. Back-painted glass and graphic lines create layered depth and visual rhythm. They are functional pieces that straddle the boundary between art and design.
$3,530.00
$990.00
With its fun and joyful shape which resembles the Hulu shape which represents good fortune in chinese culture. Part of HC28 iconic collection, it can be used as a stool or as a side table. Available in a large variety of lacquer colors, Toy will add playfulness and light spirit to any living room, dining […]
Orbit coffee table and desk are part of Cosmic: Toogood?s collaborative collection with Tacchini. Cosmic is full of irregular, elliptical shapes. Orbit features curving wooden legs upholstered in hide, topped with smooth wooden pebble shapes. The desk and table tops are lacquered, with a rounded hide inlay. The concentric ovals of Orbit are not uniform, […]
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.