Visit us in store for a wider selection of items not found online.
Designed by Monica Forster
Heavy elements are linked to lighter ones, like ink marks drawn on a sheet of paper to form a character, a letter, an ideogram._ Clear contrasts of thickness translate into incisive graphic expressions: to give life to these unmistakable figures in marble and ash wood, Monica F?rster is inspired by calligraphy, the art of writing in an elegant and regular form._ The tables are available in two sizes and color variants, Breccia Bresciana with walnut-stained structure for a warm and delicate finish, Fior di Pesco Carsico with dark gray structure for more decisive and rigorous tones._
Variation
$0.00
Heavy elements are linked to lighter ones, like ink marks drawn on a sheet of paper to form a character, a letter, an ideogram._ Clear contrasts of thickness translate into incisive graphic expressions: to give life to these unmistakable figures in marble and ash wood, Monica F?rster is inspired by calligraphy, the art of writing […]
The story of two elements, which rub against each other until they fit together perfectly._ Monica Forster revisits the classic coffee tables with central support by creating a breaking point in the traditionally flat and smooth surface of the wooden top, which almost seems to become a stone mill with the characteristic central hole in […]
0
Collection which takes its name from the different thickness and irregular arrangement of certified teak slats that make up the “barcode” effect.
The Doodle concept lies in a unique stitching design. A family of organically shaped seating furniture dressed with a padded removable cover. The irregular pattern follows the silhouette of the seat and meanders inwards towards the centre.
$3,190.00
Olo is a family of monolithic turnes ash solid wood stained moka. They are modern sculptures that suit perfectly the living area. Essential in shapes with maximum expressive force.
Naoto fukasawa develops a big pouf precisely by a small stone. A naturalistic form first tamed then alienated with the use of innatural colors.