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Lazada
Designed by Nichetto Studio
Floema is a family of low tables whose minimalist design is embodied by the absence of edges, offering a feeling of welcoming elegance. The elliptical or circle roundness of the tops available in stone or wood, mark a feature repeated in the curved details of the steel structure. In different heights and shapes, the four versions of Floema low tables offer a variety of surfaces to satisfy different needs and uses in a contract environment, from work to moments of relaxation.
Variation
$1,840.00
Floema is a family of low tables whose minimalist design is embodied by the absence of edges, offering a feeling of welcoming elegance. The elliptical or circle roundness of the tops available in stone or wood, mark a feature repeated in the curved details of the steel structure. In different heights and shapes, the four […]
$4,840.00
This innovative design is an extremely comfortable lounge chair that has a shell inspired by the elegant leaf of an aloe plant, hence the name. This shape is lightly suspended on a steel frame ? both light and sturdy at the same time.
$950.00
$3,270.00
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Beam is a multifunction low table made by an old wood, equipped with lead-painted metal top. The rustic appearance of wood, deliberately not treated, allows to exploit its full expressive value. The Irregularities of this old wood have to be considered a quality and not a defect, which thus characterizes each piece.
$0.00
Accent tables, Bilbao is characterized by soft lines, simple shapes and generous volumes. Decorative and functional, they create archipelagos that furnish the living area with personality.
$3,240.00
Symbolic, archaic references and a sculptural silhouette define the Glyph Side Table, designed by the German studio, Hoffmann Kahleyss Design. The Glyph features a slightly translucent tabletop in black-tinted tempered glass appears to be floating while revealing the characteristic cross-sectional view of the base components. Crafted in black-stained oak veneer, two pointy ellipses elegantly meet […]
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.