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Lazada
Designed by Christophe Delcourt
ARK sofa, inspired by the concept of an ark on the sea, features a striking wedge-shaped silhouette that seamlessly blends sculptural elegance with exceptional comfort. Crafted with memory foam and down feather filling, it provides an unparalleled seating experience, offering comfort so profound that it rivals the feeling of lying down.
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NAGA is stylish, functional, fully lacquered ? except for its supporting structure ? and it displays a distinctive and refined personality that brings timeless modernity to any room.
Noa sofa is designed to deliver the extraordinary craftsmanship as well as the idea of folding space. The crisp tailored leather back bends over to the side creating a continious flow throughout the sofa with the versatility of the modular seating system.
Beyond their clean design, the round and rectangular SUI tables celebrate the beauty and magnificence of a large piece of wood. The beautifully polished finish along with the strong and innovative design of the legs remain harmonious in both shapes, allowing SUI to be a key-piece in any living space.
Kat dining chair is a well-crafted and utilitarian design. The round edges and corners on the solid wood leg contribute a soft and quiet feel. The visible dark grey epoxy metal screws and rails add a touch of elegance. It’s a chair that does not call for attention but attracts you anyway.
Huma chair is a project trying to preserve the classic philosophy of rattan production process while engaging in a research for greater comfort through the use of flexible ribs in its shell-shaped backrest and its upholstered seat.
The cultured and omnivorous voracity of Philippe Starck faces, in Neoz collection, the poetry of solid wood and the traditional archetypes form is reviewed. The result is a timeless collection characterized by straight lines as well as by a strong image.
Characterized by the embracing shell and stiletto legs, Lago is enhanced by it’s intensifying bright colors that deliberately smooth the entire surface.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.