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Designed by Paolo Rizzatto
The design of the armchair combines, in a hybridisation process, two parts that are only apparently separate from the point of view of formal memory: the rotating tripod made of light die-cast aluminium, furnished with a visible shock-absorbing mechanism, and the enveloping shell made of Vienna cane stretched over a frame of hot-bent and machined solid wood. The aesthetic and functional features are ideally suited for a variety of applications, in the home or the home office.
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But how many pillows are needed to make a sofa? Paolo Rizzatto would answer 33! But be careful, these 33 pillows build the sofa don’t simply equip it. Metaphorically speaking, the sofa gets back to the origin of its evolution when it was nothing more than a lot of pillows on the floor or leaning […]
Laudani & Romanelli choose to rediscover the discretion of volumetric restraint. The armchair thus becomes an easy chair and a place of the individual, passepartout to forgotten customs: easy chairs around tables, in bedrooms or in vestibules.
Sipek, artist and craftsman is able to bend materials to his desires, finds a great potential in rattan and cane, so combines them, bends them and colors them with unusual and sensual patterns.The result is a sculptural vitality suspended between Cubism and baroque.
Born out of the fascination by those big rattan or cane armchair so common in South East Asia, Patricia Urquiola creates her own sophisticated rendition.Volumes expand, braids are doubled, patterns appear unexpectedly and gracefully fragmented. The Pavo collection introduces a strong exotic connotation.
The footrest of EMMA collection is a precious element, ideal as a complement to its outdoor seats. It stands out, as the rest of the collection, for its elegance and adaptability in convivial moments or reserved spaces in every outdoor environment: gardens, terraces and balconies, porches, patios, pools.