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Designed by Paolo Rizzatto
The design of the armchair combines, in a hybridisation process, two parts that are only apparently separate from the point of view of formal memory: the rotating tripod made of light die-cast aluminium, furnished with a visible shock-absorbing mechanism, and the enveloping shell made of Vienna cane stretched over a frame of hot-bent and machined solid wood. The aesthetic and functional features are ideally suited for a variety of applications, in the home or the home office.
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But how many pillows are needed to make a sofa? Paolo Rizzatto would answer 33! But be careful, these 33 pillows build the sofa don’t simply equip it. Metaphorically speaking, the sofa gets back to the origin of its evolution when it was nothing more than a lot of pillows on the floor or leaning […]
Pau from Inclass is an innovative proposal of upholstered elements that can be combined to suit the dimensions and shapes of any space. The collection consists of sofas which are manufactured with or without backrests of different sizes that can be combined with wooden or upholstered arms. This variety of elements allows a greater formal […]
The Tokyo-Pop collection marks, in 2002, the debut on the international scene by Tokujin Yoshioka, now considered one of the masters of contemporary design. The sofa, the armchair and especially the chaise longue and the stool, forget the banality of rotational molding to become sculptures. Unforgettable and unusual shapes.
With its round, enveloping shell, Armadillo is a revision of a furniture classic in rattan: the papasan. But this is a radically free and wonderfully postmodern version. Armadillo has the sympathetic shyness of the animal from which it gets its name and the unmistakable signature of the Valencian studio in its silhouette.