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Designed by Paolo Rizzatto
The design of the armchair combines, in a hybridisation process, two parts that are only apparently separate from the point of view of formal memory: the rotating tripod made of light die-cast aluminium, furnished with a visible shock-absorbing mechanism, and the enveloping shell made of Vienna cane stretched over a frame of hot-bent and machined solid wood. The aesthetic and functional features are ideally suited for a variety of applications, in the home or the home office.
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But how many pillows are needed to make a sofa? Paolo Rizzatto would answer 33! But be careful, these 33 pillows build the sofa don’t simply equip it. Metaphorically speaking, the sofa gets back to the origin of its evolution when it was nothing more than a lot of pillows on the floor or leaning […]
Akin to a well-composed melody, complex but seemingly effortless, the Coda modular sofa offers the building blocks to create harmonious and uniquely tailored soft seating arrangements. With clear lines and generous curves, Coda treads a fine line between welcoming comfort and structured elegance. Drawing you in with its soft, cushioned seating, the sofa naturally acts […]
In this very essential canonical dimensioned table, works plastic as if it was stone or concrete, insisting on the polite rounding of edges and the softness of junctions.
With its round, enveloping shell, Armadillo is a revision of a furniture classic in rattan: the papasan. But this is a radically free and wonderfully postmodern version. Armadillo has the sympathetic shyness of the animal from which it gets its name and the unmistakable signature of the Valencian studio in its silhouette.