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Designed by Verner Panton
The Flowerpot lamp became synonymous with the Flower Power movement from the late 60s. Reflecting a break from convention to embrace a more open, modern mentality that promoted peace and harmony. Such was the mindset of its designer, Verner Panton. One of the most forward-thinking talents of his time. The Flowerpot series consists of several different models, including three pendants and two table lamps – all in a wide range of colours.
Variation
$480.00
Originally designed in 1959 as a pendant, the Topan table/ floor lamp brings a new perspective to one of Verner Panton’s most recognisable forms, transforming it into a sculptural, freestanding light that plays with transparency and levity.
$520.00
A beloved part of the &Tradition collection since 2010, the Flowerpot lamp is an icon of Danish design. Debuted by Verner Panton in 1968, the acclaimed designer produced numerous sketches of Flowerpot Ð yet the wall lamp version never made its way to production. Many years later, &Tradition, in close collaboration with the Panton family, […]
$340.00
Designed to rest on the concentric contours of the Wire Stool, the marble table top adds a refined tactile element to the original design, transforming it into a convenient surface for resting a book or beverage when the need arises.
What makes the Wire Stool indicatively Verner Panton is the use of stainless-steel wire to create a simple geometric shape with repeated patterns, in a stackable stool that doubles as a side table. An icon from the archives destined to become a collectible, the airy transparency makes it a versatile design suitable for a vast […]
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FUNGO side table’s lively design reflects a stylish and elegant attitude toward life. Its lacquered color separation and varying heights reflect the sophistication of traditional techniques and the diversity of contemporary design. The tray-like side table has the practical detail of a utensil and comes in a variety of colors and sizes.
$0.00
$1,250.00
Originally created to seat visitors in the dining rooms of the Royal Festival Hall, the RFH Armchair by Robin Day is charactericed by the softly curved backrest and outwardly reaching arms. Rich in materiality, the chair’s striking form is achieved through a process of form-press moulding layers of beech and walnut veneer.