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Designed by Mario Botta
Graphic and sculptural, this lamp shapes different light atmospheres through two adjustable diffusers in white perforated steel plate which create play on light and shadow. Designed in 1986, the pure geometric volumes and chromatic contrasts echo the timeless architectural language of Mario Botta. Part of the Artemide masterpieces collection, Shogun is featured in the collections of museums like the Metropolitan Museum of Art in New York.
Dimensions:
Adjustable shade, structure in steel painted white and black
Wattage:
DIA320 x H595 mm
Note:
8W, E27
$1,040.00
The Zeta stool, designed by the architect Mario Botta, recalls the letter from which it takes its name: two square elements, serving as base and seat, are joined by a diagonal element secured by a comb joint at each end. Two diagonal leaves merge with this element, helping to strengthen its structure and giving the […]
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$2,440.00
Archetypal shapes in architectural geometry inspire these historical masterpieces._ Designed by the great contemporary architect from the Ticino canton for the interiors of some of his famous buildings, they have become classics in the Alias catalogue, icons of design made in Italy. Main features are the seats seconda, in perforated sheet steel.
$2,650.00
$1,110.00
Defined by the pleated, oval-shaped backrest that gently embraces the rounded seat cushion, the design of the Ovata Dining Chair is inspired by the strong yet softly curved leaves of the succulent from which the design takes its name.
$4,730.00
Initially introduced back in 1938, Little Petra won instant praise at the Copenhagen Cabinetmakers Guild Exhibition, subsequently winning awards at exhibits in New York and Berlin. It’s one of just a few designs by architect Viggo Boesen, who became associated with Denmark’s signature design aesthetic in the 1930s called funkis style. Little Petra is surprisingly […]
This chair highlights the traditional shapes which give a very fine and elegant impression.
$800.00
The first wall lamp designed by Le Corbusier in 1925, originally thought to enlighten the large windows of Villa La Roche, a manifesto of purist architecture. Nemo edits La Roche enhancing its lightness and functionality: a matte metal frame and an opal glass diffuser for soft lighting.